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Summer hiatus

Travelers Market by Maureen McQuerryFriends of Catholic Fiction and Idylls Press, please excuse our recent silence; we’ve been re-locating, both as a business and as a family. As is so often the case, I underestimated how challenging and time-consuming this process would be…will someone please remind me never to move again?

The good news is: we’ve sold our home of twelve years in Salem, and Clan Murphy has moved lock, stock and office to beautiful Ashland, Oregon, our favorite place on the planet.

The bad news is, we’re (literally) up to our eyeballs in boxes and anticipating several more weeks of Total Chaos. Ergo, we will continue to lay low on the internet for a while, though we’ll try to check messages and keep up as much as we can on direct orders, etc.

The other good news is that we’ll soon be anouncing the publication of the second book in Maureen McQuerry’s fabulous Wolfproof trilogy. recently featured on Catholic Radio Inernational’s Cover-to-Cover series. Travelers Market, illustrated by our very own John Murphy, is a wonderful sequel continuing the adventures of three middle-school children caught up in a parallel universe where creatures from Celtic and British mythology come alive to do great good…and sometimes great evil.

Check back in a few weeks!

The Easter edition of Dappled Things (an online literary journal for young Catholics) features an essay written by yours truly. My piece is a reflection on the whole MySpace phenomenon from a Christian perspective. Keep in mind the Flannery quote: “I don’t deserve any credit for turning the other cheek as my tongue is always in it.”

Here’s an e-mail from the president of Dappled Things, Bernardo Aparicio, outlining some of the latest edition’s contents:

During his recent visit to the United States, Pope Benedict proposed that if the Church’s message often seems counter cultural, “that is simply further evidence of the urgent need for a renewed evangelization of culture.” He encouraged the faithful to develop “an intellectual ‘culture,’ which is genuinely Catholic,” and can bring the richness of the faith to bear in creative ways within the public square. I found these words very encouraging, for Dappled Things is one of the ways in which the Church is responding to this call. It is now my pleasure to inform you that the Easter 2008 edition of Dappled Things (our tenth!) has just been published online. I hope you can assist us in our mission to evangelize the culture by helping us spread the word about this project. Herewith a sampling of the excellent pieces that you will find in the new edition:
Our feature for this issue is Matthew J. Milliner’s “When the Eagles Don’t Fit in Capistrano”, an article that analyzes the recent history and present situation of art. Partly inspired by Jody Bottum’s recently published essay, “When the Swallows Come Back to Capistrano”, Milliner draws a clear portrait of art in general and liturgical art in particular from the “golden age” of the 1950s to the subsequent decline of art into nihilism. With so careful a consideration of the past in hand, Milliner does not neglect the future. I give you only a taste of his vision here:

Our new scenario can prove true the folksinger’s maxim that “all the roots grow deeper when it’s dry.” Without the listening ear of the art world, we are impelled to listen more deeply to our own Christian heritage. Alasdair MacIntyre ended his justly famous book After Virtue with a frankly monastic call, “We are waiting not for a Godot, but for another–doubtless very different–St. Benedict.” And lo, our Benedict has come.

The dangers of virtual reality and social networking sites are succinctly (and humorously) detailed in John Murphy’s “Seek MySpace”, an essay that begins with a comically self-deprecating account of the author’s first introduction to the Facebook phenomenon–and how he was drawn towards it by overhearing that a pretty co-ed had “dated a bunch of guys” who Facebooked her:
When a noun becomes a verb something is afoot. My curiosity was piqued. What did it mean to be “facebooked”? And how to quantify “a bunch”? She went on, “It’s great, like, you get to see the guy’s picture, his favorite music, movies, everything.” I dared a glance over my shoulder. They were absorbed in a web page featuring a picture of a beaming young gent wearing the kind of tight-fitting shirt that shows bulging biceps to best advantage. I might have then glanced down at my own less impressive arms with a sigh, but I don’t remember.
We have a particularly fine sampling of fiction this issue, including Neil Brown’s “The Sacred Way”, a poignant tale of the deformed wounded of WWI. Soberly, unshrinkingly, and yet without the despair often characteristic of such stories, Brown explores the reality of war and of salvation:
They made quite an interesting small community. Men with broken faces. One of them had a small block of wood that was fashioned as a chin. Another had a nose made of a small bit of iron. Gerard’s nose had actually been made by a tinsmith whose expertise was tea sets. Guy was not alone with a leather patch on his face; there were a few of them. Some of them had several stitches that held together the last vestiges of their faces while others were missing parts of their bodies; Gerard counted himself fortunate that the shell had only taken his nose.
The themes and setting of the Great War appear as well in the penultimate installment of Eleanor Donlon’s “Magdalen Montague.” In part IV, “The Disciple of Magdalen Montague”, ten years have passed since the cessation of the correspondence between “J” and “R.” “J” takes up his pen once more to articulate the struggles and frustrations of a new stage in his spiritual journey. The opening admissions of “J,” astonishing and perplexing to “R”, may not be so surprising to some of our readers:

I am not “repressed and ashamed” and have not deliberately “concealed” my current abode. I think it is very likely that I am a “superstitious fool”. I am, in any case, a willing “slave of the Scarlet Lady”. Yes, I am at the College of St. Mary’s at S– and shall soon graduate from the ranks of “priestcraft” tutelage into full-fledged “Papist villainy”. As for MM, you seem to think that all priests and nuns are massed together in a sort of underground network of infamy where I can “finally relieve” that “bizarre passion”. I have not seen her, though she is present in my thoughts–not in the way you imagine…

The impressive work of Gabriel Olearnik appears once again including the fascinating dramatic monologue “Languedoc”. Other important features include the striking photography of Patrick Anderson, a chilling poetic exploration of the cleansing effects of the Enlightenment, a poignant testament to Saint Maximilian Kolbe, a beautiful image of Saint Lucy of Syracuse, an eloquent examination of grief, as well as many, many more excellent fiction pieces, essays, poems, and works of art. I hope you will enjoy the new issue!

Wishing you many blessings during this Easter season,

Bernardo Aparicio
President, Dappled Things

John Murphy, Idylls Press illustratorCatholicfiction.net reviewer and Idylls Press illustrator John Murphy has copped the enviable job of flying to Washington D.C. and New York this week to blog for GodSpy on Pope Benedict’s visit to America. John’s first post, America: Encounter the Pope can be read here. His latest posts will appear daily on the GodSpy front page.

Neverwhere (2003)

by Neil GaimanNeverwhere cover

Neverwhere is an entertaining dark fantasy from celebrated writer, Neil Gaiman. The wild and whirling world he creates from the material of urban London — where unsuspecting folks can fall “between the cracks” and end up in the surreal London Below — owes a debt to GK Chesterton’s delightful and outlandish The Man Who Was Thursday, another joyous flight of singularly British imagination.

The story is fable-like in its simplicity. Richard Mayhew leads a normal life: 9-5 job, fiancé, apartment, predictable routine. The most whimsy his life affords is the colorful collection of trolls on his desk at work. His boring existence is upended when he decides to help an elfin-looking girl he finds bleeding on a sidewalk. The girl is named Door, an orphan from London Below.

As in Susanna Clarke’s masterpiece, Jonathan Strange & Mr Norrell, Gaiman offers a vision of London as an Old World enmeshed with Other Worlds – mirrors and doors and subways can be passageways to dark, unknowable places. “Door” is just that – a girl gifted with the ability to open doors to faraway landscapes. Her talent is singular, and she’s pursued by a relentless pair of assassins, the Dickensian duo of Mr. Croup and Mr. Vandemar, who require her talent for a nefarious employer. Richard decides to help protect her from her pursuers, and to aid her in her quest to avenge the murder of her family.

Gaiman’s characters are memorable – I especially enjoyed the condescending Marquis de Carabas, a man who does not suffer fools gladly. Richard is a likable but often hapless hero. Naturally, he’s a character slowly coming to terms with the sights and wonders around him, but for a good deal of the story he does little besides offer variations of surprise and bewilderment. This is more an observation than a complaint, since Gaiman wants his reader to see Richard’s character arc from befuddled businessman to worthy hero.

Gaiman is especially good at evoking atmosphere; his rich descriptions weave a magnificent tapestry of surface textures. He has a lot of fun with London landmarks, offering parallel takes on the British Museum, the Old Bailey, Earl’s Court, and so on. In this sense, it is no wonder that Gaiman hailed Clarke’s debut as the best fantasy written in the last seventy years – their sensibilities accord as devout Anglophiles fascinated by the intersection of reality and imagination.

Though not in the same league as Jonathan Strange & Mr Norrell, Neverwhere is nonetheless a diverting journey, and fans of Tolkien and C.S. Lewis should especially appreciate Gaiman’s imaginative powers.

Island Stories

Island Stories by Celia A Leamanby Celia A. Leaman

reviewed by Tannia E. Ortiz-Lopes

Island Stories is a collection of three previously published fiction stories. Some of the author’s stories and themes repeat from other publications, but the drama and the outcomes take on a different flavour and an interesting end in this humorous collection.
Ms. Leaman has the ability to convert common life situations into stories that will make you laugh and wonder at the same time wonder, “is this for real?” After reading her other book, Who is Margaret? What is She? I knew I was in for a plate of spaghetti with meatballs in a rich tomato sauce!

“The Adventures of Oliver Turtle, and Doll” is a hilarious story of a retired couple going through a life crisis. One day while reading the newspaper Oliver sees an ad for the fixer-upper “Strawberry Fields Farm“ on Gale Island and decides to make
an appointment to see the property. Doll, his wife, is not very thrilled about the idea of leaving the comfort of her conveniently located condo to move to a farm on some dubious island. However, at Oliver’s insistence, she agrees to go see the property.

The realtor, aware of all the downsides to the property, points out only the highlights of the house and purposely avoids walking on the rotten wooden floor. Oliver starts daydreaming about their strawberry fields and homemade jellies, convinced that this farm is the last link to their happiness, and decides to buy the property. Meanwhile, the people in town are making bets at the post office on how long this new owner will stay at the farm and on the island.

Oliver’s adventures on Gale Island begin while he is moving their belongings in a rental truck that gets stuck between the ferry and the dock. This creates a lot of very unhappy passengers and residents who are already giving Oliver the unwelcoming Gale look. Oliver reaches the property at night and starts having some doubts about this purchase when, no matter which direction he turns around the house, he is greeted by mice or some other unpleasant problem. After having a heck of a time getting things set up, he decides to go for a walk in the forest near the house. While enjoying the fresh air and his encounters with nature, he loses track of time and gets lost. However, this leads him to discover the cheap scam of his neighbor.

Meanwhile, Doll has her hands full at the condo trying to wrap things up. She decides to do some personal fixing-up of her own when suddenly a fire starts on one of the condos in the neighborhood. Decked out in a face mask and a shocking pink and scarlet corset when the firemen come knocking at her door, Doll finds herself in the adventure of her lifetime. Oliver sees Doll on TV and prays she gets her natural born red-hair temper under control. Doll’s encounter with the police and the TV reporters will make you laugh long and hard.

Do not think this is the end of Oliver and Doll’s adventures at their new home on Gale Island. On the contrary, this is just the beginning of a new life for Oliver and Doll and for those of you who would dare to tag along with them.

“She Drove a BMW” is about a woman named Nell, who is dating a younger man—young enough, in fact, to be her son. Jason wants Nell to meet his mother, but she feels insecure about it and decides to meet her future mother-in-law in a casual environment. She calls her friend Marcie and explains her dilemma. Marcie, who runs a daycare in her house, takes the kids on a field trip to the next town as she accompanys Nell in a scouting trip. They go to the cafe where Jason’s mom always goes after shopping, searching the place for a lonely old lady. Finding one, they seat themselves at her table, interrupting her meal with some nonsense conversation. While looking at the woman, Nell is thinking that she must be very rich and lets her imagination go wild about her future prospects. However, not everything goes as planned, and Nell and the rest of the scouting team must go home.

Nell is disappointed, but life’s twists and turns grant her wish and she gets to meet Jason’s mom in a very original way. As the old saying goes, be careful what you wish for!

“Being Like Annie Fairfax” is a story of courage, self-worth, and acceptance. Maxine and Michael have been married for a long time. Then one day he asks for a divorce because he has discovered his gay side and decides to pursue it. Maxine is devastated and leaves the comfort of the island to find new sources of income. She does all type of jobs, but none please her. One day she finds a painting set for sale in a yard sale and with the little money left in her purse, she buys it. She lets all her deep emotions out on the canvas. Deep purples and blacks shake out the depression, and after some healing come the colors of
happiness.

On one of her visits to her old friend, Annie Fairfax, Maxine talks about herself, her new life, job, and her paintings. Annie listens attentively and tells Maxine about an art show coming up the following week. Annie encourages her to bring some of her paintings. At first she hesitated, but then decides to participate. Maxine’s former husband turns out to be the first person to purchase a painting from her.

The end of the story teaches us all to believe in ourselves and not be afraid; to be more like Annie Fairfax, in fact, a woman who lives life at its fullest potential and brings out the best in those she meets along the way.

Island Stories is available in several e-book formats from Twilight Times Press.

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